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The Mouth

Critical Studies on Language, Culture and Society

  • Home
  • Journal Issues
    • Issue No. 1
    • Issue No. 2
    • Issue No. 3
    • ISSUE No. 4
    • Issue No. 5
    • Issue No.6
    • Issue No. 7
  • Special Issues
    • Special Issue No.1
    • Special Issue No. 2
    • Special Issue No.3
    • Special Issue No. 4
  • Submissions
    • Information for authors and guest editors
    • Imprint
  • about
    • Editors
    • Board
  • Blog
    • Internationales Jahr der indigenen Sprachen
    • Die Dämmerung der alten weißen Männer
    • Stellungnahme zu dem Treffen des Fachverbands mit Günter Nooke
    • Ohne Gebäck
    • Tourismus in Afrika
    • Soundscapes in Tourism
    • Offener Brief
    • From Jamaica to Africa: Sydney Salmon, repatriation and reggae in Ethiopia
    • Collecting artefacts in Palma
    • Exhibition
  • Podcast
    • Episode 1: Dimmendaal On Color
    • Episode 2: Akello on Education in Uganda
    • Episode 3: Ndapewa on Fashion
    • Episode 4: Becker on Mandela
    • Episode 5: Andrews on Magaluf
  • Contact

Special Issues

  • „African Journey – a Memoir“ Special Issue No. 1
  • „Silence is the kosmos of woman listening to female noise“ Special Issue No. 2
  • „Language and Tourism in Zanzibar“ Special Issue No.3
  • „Worte, Stimmen, Räume: Eine Einladung“ Special Issue No.4

Events

#RILA Spring School Glasgow 2019: Angelika Mietzner and Anne Storch
have transformed their research presented in Mouth 1 & 2 into a play.
Watch it here:
https://www.facebook.com/ScottishIndependenceLiveEvents/videos/813910162316753/

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Balamane

Logo

The shark’s head and mouth is a painting on an outrigger of a ngalawa (a fishing boat used along the East African coastline). This boat was built in Zanzibar and was used for both fishing and racing.
von Rescue Themes.